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The V3 update also updates the simple De-Esser that was included in bx_digital V2 to a much more versatile Dynamic EQ that can compress or upwardly expand any frequency band from 20 to 22 kHz. Cut honky midrange frequencies on the kick drum track while fully preserving the beater's high-frequency slap. Boost bass frequencies on male vocals to accentuate the singer's powerful chest register-without muddying the lower midrange. These filters progressively adapt the Q as you increase or decrease gain, focusing your boosts and cuts exactly where they're needed and without suffering tradeoffs in neighboring bands. V3's new Proportional Q filters are another huge plus. You'll work faster: a mouse click and single knob twist are all it takes!
Or increase presence to spotlight guitars and vocals, while softening searing cymbals. Use them, for example, to boost your mix's low-bass punch while simultaneously clearing out muddy upper-bass and low-midrange frequencies. Each Shifter in V3 offers a selection of three different tilt-equalization sounds featuring different boost and cut frequencies, bandwidths and relative gain. The Bass and Presence Shifters produce opposing boosts and cuts in adjacent bands to prevent excess spectral energy buildup that can make mixes sound boomy, blurry or edgy. It's eminently pristine, using ultra-transparent filters that minimize phase shift and frequency masking to deliver clearer and more focused mixes and masters.
V3 for Clearer and Cleaner-Sounding Mixes and Masters Advanced imaging controls let you independently pan your mix's mid and side channels, widen the stereo image, swap left and right channels and center the phantom stereo image.
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On your main subgroups and the master stereo bus during mixdown and mastering sessions, use the "bx_digital V3" plugin to roll out the big guns: a full complement of Mid/Side equalization controls and separate meters for pre- and post-EQ signal levels, L/R balance and correlation. On individual tracks that don't need surgical equalization, the "bx_digital V3 mix" plugin simplifies operation by excluding mid-side processing and additional meters. And the new, global Gain Scale control makes proportional gain changes to all parametric, shelving, and Bass and Presence Shift filters at once-preserving your carefully wrought balance across all bands as you dial in the perfect overall amount of EQ.Īll this power comes in two workspaces-separate component plugins for mixing and mastering-to help you work faster. V3's transparent high pass and low pass filters now provide alternate slopes to sculpt your tracks' high and low end and selectively weed out rumble and hiss with greater precision. The unique Bass and Presence Shifters have been made much more versatile, each now offering a selection of three different tilt filters that balance and unmask hidden details in your mixes. A Dynamic EQ module, API-style Proportional Q filters and six notch filters (three per channel) have been added to handle any surgical mix or mastering task, making it a perfect tool for film mixing and post production as well. The major update extends the High Frequency band's upper range to 40 kHz to sweeten and add ‘air’ to high-resolution audio tracks, mixes and masters. With the release of bx_digital V3, the bar just got raised again.
The 11-band equalizer's forward-thinking feature set includes parametric bell, high- and low-shelving, and high- and low-pass filters for each channel mono, dual-mono (L/R), stereo and mid-side modes of operation a mid-side decoder (especially useful for recording acoustic instruments, drums and even bigger ensembles in a super mono-compatible and extremely natural way) spectrum-balancing Bass and Presence Shifters the pioneering Mono Maker summing tool and comprehensive imaging, monitoring and metering facilities for high-level mastering. The seminal plugin's first major upgrade, bx_digital V2, was voted #1 Best Plug-in of the Decade by Future Music and quickly became the standard by which other equalizers are judged. Brainworx's revolutionary flagship product, bx_digital, was the first commercially available Mid/Side equalizer plugin, and it still reigns supreme today as the EQ for mixing and mastering.
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